Revelations Tarot – Tarot Review

The Revelations Tarot is essentially an RWS-inspired deck with a new approach to the art. It’s got the standard Tarot cards in the standard RWS order, but the cards show both upright and reversed interpretations on their face. Regardless of the card’s orientation during a spread, the reader can see both the aspect of the card in play and the potential lurking underneath. How cool is that?

I had to check it out.

The Deck

The Revelations Tarot comes as a set. There’s a sturdy box with a magnetic closure, a single well holding the cards with a ribbon to help lift them out (thank you thank you), and a companion book.

The Revelations Tarot set. The box is open sideways here, showing both the companion book and the cards. The ribbon is a lovely touch AND there are little gaps for your fingers. Huzzah!

The Revelations Tarot set. The box is open sideways here, showing both the companion book and the cards. The ribbon is a lovely touch AND there are little gaps for your fingers. Huzzah!

The cards are a touch smaller than standard. That makes them nice for small hands, I suppose, but I feel they’re too small to effectively convey the art. There is a lot going on here, and in my opinion a larger size would showcase that better. There’s also something about the finish my fingers don’t like – the cards “catch”, and feel a bit bumpy – but I don’t know if anyone else would even notice. They certainly shuffle well enough!

The reversible back of the card, flanked by two spread guide cards.

The reversible back of the card, flanked by two spread guide cards. Really, Llewellyn? You had two extra cards and this is what you chose to do with them? Ok then.

Let’s hit the book first. This is not at all written for beginners. There’s no “intro to Tarot” section, no Tarot history, nada. We get like a page and a half from the author about why he created the deck and then jump right into the card meanings.

Each of the Major cards gets about three pages worth of write-up while the Minors get two. I found this part to be particularly nice. An equal amount of space is used to explain upright and reversed meanings (not surprising, considering the deck!), and while the upright images have fairly standard associations the reversal explanations shine. These are creative, well-written, and entertaining to read. I quite enjoyed them!

The Fool and the Aces. The Aces are the only ones not getting much of a reverse difference, which makes a certain amount of sense considering.

The Fool and the Aces. The Aces are the only ones not getting much of a reversal difference art-wise.

The spread section was a huge disappointment, though. The whole rest of the book was apparently written for people who’ve been around Tarot for a bit, but the four spreads included were basic and frankly uninspired. The name of the deck is “Revelations Tarot” and there wasn’t a spread that played off of the title? What a wasted opportunity!

The art is unique. It’s done in a fantasy style with a kind of swirly stained-glass vibe. It’s really pretty, with lots of deep saturated colors. The images seem to carry the written card meanings quite well if you pay attention, too. I’ve put what are perhaps my favorite contrasting Majors below. They really do come across as two different cards depending on orientation!

A lineup of five cards from the Major Arcana: The Emperor, The Lovers, Strength, Death, and the Moon. The first row shows all the cards in an upright position while the bottom shows them all reversed.

Uprights are on the top, with reversals shown on the bottom. There is a clear difference between the two sides, giving us clear visual cues for both card orientations.

Using the Deck

Personally, I find it interesting just how quickly I adjusted to keeping my attention on only the top half of the card while reading. I was also kind of fascinated by how visually playing with the comparisons between the top and bottom gave new interpretation avenues to explore. 

All that being said, though, I don’t see myself keeping this deck for personal use. Quite a bit of the traditional symbolism in the cards has been lost to visually accommodate both card orientations, and I found myself ignoring the art entirely to give more complete interpretations. To be fair that might be because I’ve been shifting over to TdM-style decks for awhile now. These felt very “surface” and confining by comparison. Additionally, more of these cards fell flat for me artistically than I can handle in a deck I use regularly.

All in all my feelings about this deck are mixed. It’s not for me, but I can see where other people would really enjoy it. There’s not enough here to go on for beginners, and it’s a bit too basic for the advanced, but intermediate readers will likely find it a comfortable fit. It’s an excellent learning tool for those wanting to incorporate reversals into their readings but are unsure of where to start, too.

Want to see what the Revelations Tarot might reveal for you? Available here for about $30.

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The Hanson-Roberts Tarot – Tarot Review

Back in the dawn of time, when I was but a wee lass, I watched my aunt read Tarot with the Hanson-Roberts deck. I loved to watch the cards flip and I never forgot the Queen of Rods – it was the card I most associated with her. Years later, when I went back to find this deck, it was the image of the Queen that let me know I’d found the right box.

Honestly, though, it wasn’t all that hard to find. As far as I can tell it’s been in continuous print since 1985. It’s definitely an RWS-inspired deck, and that combined with the non-threatening size and artwork makes it suitable for beginners and advanced readers alike.

The Deck

One of the first things I noticed about this deck as an adult is that the cards feel tiny. They’re regular playing card size! Those with small hands will find this deck a better fit for them, and it makes larger spreads much more doable in tight quarters. It’s also helpful if you like to have clients shuffle your deck, as it’s more easily managed by people unused to Tarot-sized cards.

A card from the Hanson-Roberts deck on top of a card from the Gilded Tarot. The size difference is obvious.

A card from the Hanson-Roberts deck on top of a card from the Gilded Tarot. The size difference is obvious. And isn’t that reversible back design pretty?

The deck comes in a tuck box with a LWB. The smaller size of this deck makes it wonderful for travel. The tuck box fits nicely in a purse, for instance, and the box can take a decent amount of wear before it needs to be replaced.

The Hanson-Roberts Tarot. The tuck box is in the center, flanked by the 2 title cards that come with the deck. The LWB is below the tuck box and the deck is fanned out below.

The Hanson-Roberts Tarot. The tuck box is in the center, flanked by the 2 title cards that come with the deck. The LWB is below the tuck box and the deck is fanned out below.

The card stock is standard and these cards shuffle well. The art has an almost fairy-tale feel and is done with pencils, making the images both vivid and soft. The portrayed figures are also more dynamic than seen in decks like the original Waite-Smith, with a full range of human emotion and a sense of movement.

A selection of cards from the Hanson-Roberts. Here we see the energy of the Knight of Swords, the wonder of the Star, the utter desolation of the Five of Pentacles, the dreamy quality of the Seven of Cups, and the triumph embodied in the Six of Rods.

A selection of cards from the Hanson-Roberts. Here we see the energy of the Knight of Swords, the wonder of the Star, the utter desolation of the Five of Pentacles, the dreamy quality of the Seven of Cups, and the triumph embodied in the Six of Rods.

Suits are also standard RWS, except that here the Wands are called Rods (a common substitution). There’s also an emphasis in this deck on blooming, on florals and greenery. It all contributes to the lush feeling of the art, helping the deck feel more friendly and approachable.

The Fool and the four Aces from the Hanson-Roberts Tarot.

The Fool and the four Aces from the Hanson-Roberts Tarot. Note the greenery on every card.

One thing I especially appreciate about this deck is that it’s obvious the Minors got as much time and attention as the Majors. That can be hard to find sometimes, but all the cards are visually consistent and equally well-thought out across the deck.

It should be noted that esoteric symbology is less prevalent in this deck than found in, say, the original RWS. I personally don’t miss it, but as always YMMV.

And now I’m going to include another gratuitous pic of the artwork because I’m writing this and I can. 🙂

Cards from the Hanson-Roberts Tarot. The top row is the Page of Cups, the Seven of Cups, and the Eight of Swords. The bottom row is the Eight of Rods, the Moon, and the Four of Swords.

Yes, here’s that dreamy Seven of Cups again (oops). We’ve also got the Page of Cups looking surprised at the fish in his chalice (as we all would be!), one of the most stunning Eight of Swords cards in any deck anywhere, an Eight of Rods that really appeals to me, a lovely Moon, and a rather quietly reflective Four of Swords. I’ve never pictured myself as the guy in the tomb when this card appears – I’m visiting the tomb, with all the quiet contemplation one should have in holy places.

The deck comes with a LWB, but as we’d expect of a deck with this kind of longevity and popularity there are companion books on the market. Two, in fact, and which one you get depends on what exactly you’re looking for.

Tarot Unveiled is a Tarot 101 book using the Hanson-Roberts images. It’s been around for awhile, and you can find used copies on Amazon for under $2 plus shipping. If you’re relatively new to Tarot this is the book to get.

The Hanson-Roberts Tarot Companion Book is written specifically for the Hanson-Roberts deck. It’s more like the book you’d find in a Tarot set than a Tarot 101 book and is around $13 used plus shipping on Amazon. If you’re looking for something specific to this deck and are beyond 101 stuff this would be the book for you.

Using the Deck

The somewhat cutesy art might make you think this is a fluffy deck, but it is surprisingly well-rounded. The Hanson-Roberts is one of my favorite RWS-inspired decks because it’s so universal. It’s a deck that will grow with a reader, from beginner to advanced, and everyone will appreciate how easy to manage it is.

Even better, this deck nicely works with all three purposes I have for a deck. They read beautifully, they can be great tools for Tarot spellwork, and the life in these cards makes them useful for meditation despite the smaller size. It’s like a trifecta of awesome!

The Hanson-Roberts has stood the test of time for good reason. If the art style appeals to you I say go for it. It’s a great buy.

Available here.

Universal Tarot of Marseille – Tarot Review

A comparison of the Star from the original Burdel TdM on the left, and the Universal Tarot of Marseille on the right.

In my last review I mentioned the Universal Tarot of Marseille as an excellent travel TdM. Let’s unpack that, shall we?

As we can tell from the name the Universal Tarot of Marseille is a TdM deck. This particular version is based on a Swiss deck published by Claude Burdel in 1751. The original linework has been retained but the cards have (thankfully) been recolored, meaning the colors are much more saturated and actually stay INSIDE the lines.

A comparison of the Star from the original Burdel TdM on the left, and the Universal Tarot of Marseille on the right.

Burdel’s original Star on the left, and the Universal’s cleaned-up and recolored version on the right. Let’s hear it for 250 years of printing improvements!

The Deck

The deck comes in a surprisingly sturdy tuck box, containing both the deck and a rather substantial LWB. It should be substantial, though. The same text is written in five different languages!

The English section is only 12 pages long but don’t dismiss it – it covers the deck surprisingly well. It guides the reader through the bare-bones version of Tarot history, dips a bit into Plato (!!!), each Trump gets a little write-up listing suggested correspondences, and the Suits are all covered with a general description and a quick trip through the numerology of the pips (a system I VASTLY prefer to the standard RWS approach). Court cards are handled the same way.

Honestly, this is one of the best – and certainly most succinct! – TdM intros I’ve found to date. If you can find the kit within your budget, first off tell me your secrets, then grab it fast. The book included in the kit is apparently 64 packed pages of the same amazingness that’s confined to the little eensy LWB. I’ve heard about it anecdotally but not read it myself, and I kind of really want to!

The tuck box, not-so-little LWB, and the deck showing the lovely reversible image on the backs of the cards.

The tuck box, not-so-little LWB, and the deck showing the lovely reversible image on the backs of the cards. Isn’t that sheen gorgeous?

The cards themselves feel sublime in the hand. Publisher Lo Scarabeo is known for good-feeling cards, but for some reason these feel particularly fine. As a tactile person I appreciate that more than I can say. They shuffle like a dream, too, with a perfect combination of slip and snap-back.

Image-wise the lines are basic, and the color saturation doesn’t change the fact that this deck uses the typically limited palette of a TdM deck. Unlike most TdMs, though, the sky/background of the cards are colored with a watercolor effect. Majors have a greenish-blue sky (with a few exceptions), Cups have a pinkish-red background, Pentacles go with a golden yellow, Wands use a rather pretty sage green, and Swords are backed by blue.

The Fool and the Aces from each suit are all presented together, showing the coloration used for the backgrounds.

The Fool and the Aces from each suit. Here we can see the backgrounds as well as more detail of the coloring used for this TdM variant.

However welcome the backgrounds are, they’re not color correspondences I typically use for those suits. Mine are Golden Dawn-based, as are those used by most of us who came up through RWS-inspired decks, and while these cards predate those associations the originals didn’t have background color at all. These background colors aren’t even correct if we use traditional TdM color correspondences! Since the colors chosen were rather arbitrary anyway, why not use what most people are familiar with? It’s probably my biggest gripe with the whole deck. Keeping the exact same shades but matching them correspondence-wise to the suits would have made so much more sense. It’s a little detail, far eclipsed by the other positives with the deck as a whole, but I do find it annoying enough to mention.

Using the Deck

As long as all the standard elements are there, as they are here, which TdM deck you use is strictly a matter of personal preference. They’re all based on the same template. The feel of these cards is so nice that I enjoy using this particular variant, and the sturdiness of the tuck box combined with the low price point make these particularly suited for travel.

I primarily use these for readings, and have used them for altar work in the past with great effect. These are not the cards to inspire meditation, however. There’s nothing particularly visually appealing about them, and I require that for Tarot-based meditation.

I don’t usually recommend TdM decks to beginners, but if you just have to start with one there are worse ones to choose. The LWB is even enough to get you minimally started, especially if you’re already used to thinking in terms of correspondences. There are a number of good full-length TdM books you could pick up later to continue building your knowledge.

A bonus with using this style is that you could theoretically buy just one TdM and use it for life. I don’t know a single person who’s managed to do that, and I personally don’t advocate it, but if that’s a goal consider this one.

Available here for less than $20.

After the Tower Falls

I staunchly maintain that there’s no such thing as a bad Tarot card. However, I have to admit some are a damn sight more uncomfortable than others. One of the best illustrations of this concept is the Tower, and that’s the card I’ve been living for the past few months. I’ve finally moved into the realm of the Star, though, and looking back I’m once more reminded that the Tower is only scary until we gain perspective from its passing.

The Towers leads into the Star. Both cards from Le Tarot Noir are shown with an rightward-facing arrow between them.

My life in Tarot card form. Images from Le Tarot Noir.

The Tower’s Fall

The first brick of my personal Tower fell when I was suddenly laid off last May from my job of three years (hence my lengthy blog hiatus around that time). Everything – and I do mean everything – kind of dominoed after that.

As might be expected my professional life profoundly changed with the layoff. My finances went into a period of freefall and necessitated an unwanted change in location too. My personal life and health both experienced dramatic flux. With all of that going on I fell face-down into a rather wicked lake of depression, which led to a period of withdrawal that was extreme even for me (I tend to be fairly naturally withdrawn to begin with).

Thing is, I stubbornly (and perhaps obliviously) thought all of these changes were isolated. It can be hard to see the whole Tower when you’re dodging individual bricks! It was only when I stopped dodging that I could see the true extent of the devastation.

Standing in the Rubble

There’s a clarity that comes in the aftermath of a disaster, a quiet shock that allows us to observe our surroundings without filter or bias. As the dust settled I stumbled into the middle of what once was a pretty cozy life and looked around.

What exactly had been destroyed? What random parts still stood, and did they need to be rebuilt or further demolished? Going deeper, what weaknesses and strengths were exposed by the Tower’s fall? What lessons had this all taught me?

And then I had to go deeper still. Previously I had thought that I was made up of all the things that had fallen down. That obviously wasn’t true, though, because I was about the only thing left standing. So who exactly was the Me standing dazedly in the rubble?

I’ve spent months diligently answering these questions. At times it’s felt like my own little archaeological excavation. There have been bits and pieces I’ve tossed over my shoulder with a shrug and a “good riddance”. Others I’ve further destroyed with a sledgehammer while laughing in maniacal glee. There have been heirlooms I’ve bitterly wept over before deciding they couldn’t be salvaged, things that inspired a sense of vindication by their very survival, and a few lost items newly exposed that I had to learn about all over again.

I’ve reassessed who I am and the foundations on which I stand. It’s been an interesting journey, this sorting and evaluation process, but after all of it was done I was left with one overwhelming question: what now?

Star-Gazing

In the Major Arcana the Tower is immediately followed by the Star. There’s a reason for that. When all of our walls have come down and we’re ready to rebuild, the Star’s gifts of hope, faith, and renewal guide us forward.

What I’ve seen by the Star’s light has been transformative.

For years I’ve known that my Lady wants me to live a life grounded in my spirituality. Even more than that, She’s pushed for a more holistic and integrated life, one where all of the pieces work together instead of against each other. After all, it’s not like I can grow into my full potential when my life is shoved into tidy but limiting boxes.

Thing is, I’ve agreed with Her. The need for a holistic life is an obvious conclusion to draw and I’ve been fine with the idea of it. It’s just that every time I actually started Doing the Work to make it happen something stopped me. Often I stopped myself. Some changes required tearing down support structures in my life that I thought I needed or relied upon. Other changes were intimidating, overwhelming, or even baffling.

All the motion without forward progress resulted in nothing truly changing at all.

Dithering over taking action is a luxury I no longer have. Despite my best efforts everything crashed down anyway. What was incredibly scary at the time has turned out to be freeing, because there’s nothing left to block me anymore. My life is open and receptive, the walls are down, and I can build whatever I want to encourage me to grow however I want. The Tower’s fall wasn’t a disaster, it was the start of a brand new opportunity.

I’m still working on what this looks like, to be honest. I don’t know where it’s going, only have the vaguest end game in mind, and I’m feeling it out as I go.

The biggest and arguably most profound change is that I am now working full-time as a diviner, spiritual consultant, and content producer. This swings from intimidating to thrilling by the day, and sometimes I wonder if it’s the right thing long-term. It’s honestly too early to tell on that yet. Things are looking good so far, though, and I do know that it’s absolutely the best thing for me right now. I need to pursue paying work that feeds my spirit, and this fits that bill admirably.

When I’m not reading for clients I’m working on my own Tarot deck, wrapping up the book I’ve been writing, prepping classes I’m teaching, taking classes as a student, and learning about alternative methods of interacting with our political process. I’m also toying with the idea of writing a devotional for my Lady, since there isn’t one for Her and I find that to be not ok. MystikNomad’s new internet home is being prepped as we speak and will hopefully go live over the next few months. I’m presenting at a conference this summer, too, and will likely be relocating sometime in the next year or so.

So many changes! So much forward momentum! So much amazingness in store! And none of it would have been possible had my personal Tower not fallen. I find that comforting, actually, because it reaffirms my faith that even utter destruction is a way to clear the path for future growth. I’m excited to see the harvest from what I’m currently planting, and I’m so glad all of you are here to appreciate the blooms too.

 

Le Tarot Noir – Tarot Review

The open box of Le Tarot Noir. The accompanying book is propped up, with the deck split in half in front of it.

In my post on Tarot Style Families I showed a quick glimpse of my current Tarot crush, Le Tarot Noir. It’s my very favoritest TdM deck, and I’m excited to share with you why I love it!

The Deck

The deck’s packaging reminds me of an old-school crayon box. The top opens like the cover of a book. Inside is the book it comes with, and underneath that the deck is split in half and banded with plastic.

The open box of Le Tarot Noir. The accompanying book is propped up, with the deck split in half in front of it.

The open box of Le Tarot Noir. The accompanying book is propped up inside with the deck split in half in front of it. The card backgrounds are a lovely cream – the weird shadows going on are lighting-related.

The box is meh. It’s nice in concept but the top doesn’t latch or tuck or anything. It just sits there. Shrink wrap is the only reason it managed to reach me in one piece. I certainly don’t trust my cards in it for travel. If you plan on taking these cards around with you I recommend getting a bag or box from the get-go.

The cards themselves are amazingly impressive-looking. The whole deck has edges gilded in gold, which is nice, but honestly it feels like a superfluous detail when looking at the card faces. There’s a level of artistry here I haven’t found in others of this style. The images have the limited palette of a Marseilles (thankfully muted) and the artist focused quite a bit on fine line work and draping. Add to that the dark whimsy the artist brought to the deck and I find myself purring whenever I touch it.

The High Priestess, the Moon, and the Tower cards from Le Tarot Noir.

La Papesse (the High Priestess), La Lune (the Moon), and La Maison Dieu (the House of God, aka the Tower).

The Aces are the loveliest I’ve ever seen in a TdM. The Ace of Cups especially makes me swoon.

The Aces from Le Tarot Noir. Top row is the Ace of Cups and the Ace of Swords. Bottom is the Ace of Coins and the Ace of Wands.

The Aces from Le Tarot Noir. Above are the Ace of Cups and the Ace of Swords. Below are the Ace of Coins and the Ace of Wands.

The rest of the pips are equally gorgeous. I love the emphasis on curves and the fleur-de-lis detailing.

IMG_2042

Here we have the Three of Swords and the Ten of Swords. The back of the card, with its lovely inlaid-gold motif, is shown below. See that gloss? Don’t you want to pet it?

Overall the deck is simultaneously traditionally elegant and otherworldly. I feel a tingle every time I pick it up.

The book it comes with is beautifully printed but the binding is awful. It split the first time I opened it and pages started falling out almost immediately.

The book from Le Tarot Noir is lying on a table, the split spine clearly visible.

Really??? I think I’m going to have the now-loose pages bound at a print shop or something so they don’t get lost.

As you might be able to tell from the above pic the book is also written completely in French.

For all of its lovely visuals, the book doesn’t help much with card interpretation even if you do read French. If you’re looking for a “how to read this deck” intro any TdM book on the market will serve well (although I particularly recommend this one). However, if you want to read what this book says I’ve included a how-to at the end for quick-and-dirty translating. You’re welcome! 🙂

Using the Deck

Reading with this deck is a profoundly enjoyable experience. It’s like the cards latch into a different part of my brain and make my intuition work harder.

They’re also big and kind of awkward. They’re more square-shaped than standard decks and can be difficult to manage. If you’re going to read with these you need room to spread out a bit. I have a dedicated 30″ x 30″ cartomancy table, so space isn’t really an issue for me, but those working in tight quarters may want to opt for a smaller deck.

The size of this deck is one of the reasons I don’t travel with it (the other being that I worry about my baby getting damaged). If I feel like reading a Marseilles-styled deck on a travel day I’ll take my Universal Marseilles in its little tuck box with me and leave this beauty safe at home.

Aside from readings I adore this deck for Tarot spellwork. Seriously. ADORE. They feel so much more targeted than RWS decks that spellwork just flows. The only downside is that the deck isn’t usable for divination until any spellwork is completed.

This is not a deck to shuffle. Part of that is due to the shape and size, which makes the whole deck a mite challenging to hold all at once. The gilding also sticks a bit. The most important reason, however, is that I’ve read reports from others that the finish on the back can start cracking if they’re bent too far. Since I would be beyond upset if anything happened to these cards I treat them more like little paintings. No bending! This is the only deck I have that I refuse to bridge shuffle.

I never recommend TdM decks for complete Tarot novices, but if you’re already pretty grounded in Tarot and want to jump into TdM-style decks this is a fine place to start. No reason not to go straight to the Best in Class, right? And this deck is certainly that!

Available here for about $35.

Translating the Book

As I said earlier, the book that comes with Le Tarot Noir is written completely in French. Translating it doesn’t reveal any info that couldn’t be obtained from other books in this style family. However, I didn’t know that when I got it. I wanted to know exactly what it said, and I always enjoy reading the artist’s approach to the cards. So I translated it. Here’s a step-by-step so you can do the same thing if you feel so inclined.

  1. Take a picture of a page with your phone and transfer it to your main computer.

    IMG_2026

    The page on the Judgment card in the Le Tarot Noir’s book.

  2. Go to this link. According to the blurb on the page (which I edited for punctuation because I had to), “NewOCR.com is a free online OCR (Optical Character Recognition) service. It can analyze the text in any image file that you upload and then convert the text from the image into text that you can easily edit on your computer.” How cool is that?
  3. Click “Choose File” and select the picture you took. Right below that set the recognition language to “French”.
  4. Click “Upload + OCR”. If you need to rotate the picture you’ll get a chance after you click. Make sure the text you want to translate is in the box and click “OCR” above the image.
  5. Once it loads you can scroll down below your original picture to see a box containing all of the text from the image. It’s still in French, but it’s out of the image!
  6.  Above that box you’ll see a link to Google Translate. Click it. Another window will open containing all of that text in English! It’s like magic!

Here’s how the above page came out. I made some punctuation changes I didn’t note, but otherwise this is exactly what Google Translate spit out. My commentary is in [brackets]:

The map of the Judgment is composed according to a vertical diagram [like a hierarchy].

Characters occupy the bottom of the map and an angel with trumpet overhangs the whole. This “top / bottom” representation is typical of medieval society: the whole of life was conceived in this way, according to the Christian tradition, with the Hells below and the opposite, the kingdom of Heaven.

The angel with the trumpet is a herald of the Last Judgment; awaken[ing] the dead and lead[ing] them to their final destination, whether Hell, Purgatory, or Paradise. The flag that adorns the trumpet is linked to the resurrection of Christ.

The naked couple of the arcana prays and surrounds a chest from which seems to go out the third personage [from which the third person seems to emerge]. All three are cleared of their attributes Terrestrial [free of earthly trappings], in the simplest apparatus [no clothing-naked], humble before the Divine power.

The chest can be seen as a coffin. Perhaps they pray that this third man is resurrected, or more likely to be sent to Paradise? The identity of this third man remains rather vague.

[It is] also probable that this couple died and awaited the judgment of the angel for soap [no idea here – they’re awaiting judgment, got it] or it will pass eternity. In this case, the man who leaves the trunk [chest/coffin] may be a trubhon [minion?] of hell, waiting to take them away.

That’s not too shabby! A few weird words, expected considering I doubt Google Translate has to do a lot of esoterica, but otherwise coherent. And way faster than going word-by-word with a dictionary! Better yet, the translated text can be easily copied and pasted into a Word document or the like. Do the whole book this way, make whatever edits you need, and you’ll have a pretty fair translation you can print out and keep with the deck!

I realize that doing this 78 times might seem like a bit much. However, not every card in the deck has accompanying text in the book. All the Majors do, as do each of the Aces. Court cards share the same paragraph by rank (only one for all the Pages, for instance). Nothing at all is said about the other 36 Minor Arcana cards, so there’s nothing to translate there. If you want to be really thorough you could translate the short intro page and the conclusion, but it’s so not necessary.

And there it is! As you can tell from the above there’s not much in the book that you couldn’t figure out for yourself, but if the completionist in you wants it here’s how.

Happy reading!

Voyager Tarot – Tarot Review

A spread of five Major Arcana cards from the Voyager Tarot.

The Voyager Tarot was one of my very first decks, given to me as a gift when I was just learning by someone who wasn’t familiar with Tarot at all. That’s unfortunate because this is not a beginner deck. Attempting to use it just confused me when I was getting my bearings.

Since those early days the Voyager has become a fantastic tool. I just needed to know what to do with it first.

The Deck

One of the first things anyone notices about this deck is the sheer size. It is significantly larger than most other decks. That’s bad news for shuffling but great news for image clarity. And image clarity is an important factor with the Voyager Tarot.

Comparing the size of the Voyager Tarot to the Gilded Tarot. The first picture has the Voyager underneath the Gilded, while the second shows the two decks stacked side by side.

Comparing the Voyager Tarot with the Gilded Tarot. The individual cards AND the stacked decks are larger for the Voyager.

This is a modern Tarot deck created entirely with photo collage, giving it a very unique feel. The images come from cultures and practices around the world – making it workable regardless of personal religious affiliation – and figuring out the nuance each image represents in a given card’s meaning is part of the fun with this deck.

However, it does mean that this deck is a one-off. While the cards loosely correlate to standard meanings they are by no means exact, and some of the names have been changed too.

A spread of five Major Arcana cards from the Voyager Tarot.

Major Arcana cards from the Voyager Tarot. Notice the cards for “Fool-Child” (Fool), “Art” (Temperance) and “Time-Space” (Judgment).

The images are crisp and sharp, as you’d expect from a photo-based deck, but unlike the Golden Tarot by Kat Black no attempt was made to smooth the pieces into one united image. They’re all jumbled together, which forces the eye to jump around to make any sense of what you’re seeing. That’s kinda the point.

The four Aces of the Voyager Tarot.

The Aces of the Voyager Tarot. Here we can see the Suits. Cups and Wands are standard, but the Voyager switches out Swords for Crystals and Pentacles for Worlds.

The deck comes with a fairly informative little booklet, better than the standard LWB, but for $20 a specific Voyager guide is available. It’s even free for KU subscribers! I’d suggest it if you really want to dive into these. There are so many layers here that details can be missed if they’re not specifically pointed out.

Using the Deck

I’ll state straight-up that I do not use these cards for readings except in the very rarest of cases. That’s because these cards feel, for me, more like targeted scrying than cartomancy.

That’s not to say that others don’t read these all the time with fab results. They do. I, however, read the Voyager Tarot almost exclusively with free association. Sure I use basic Tarot keywords as I go, but nine times out of ten the meaning I draw from the card has less to do with those keywords and more to do with where my mind goes when my eyes catch on a certain image, or even a pattern of images across numerous cards.

That being said, these are excellent for meditations and creative visualization prompts. Their size is a bonus here as there’s more card to fall into. I don’t like them for Tarot-based spell work, because their scope makes that feel messy to me, but they rock for Card-a-Day pulls too. Anything more introspective or intuitively-based could easily benefit from adding these in.

I would absolutely not recommend these for a beginning cartomancer. However, if you’re strictly looking for a tool to help with self-development or meditation work it’s hard to go wrong with these, even if you’ve never touched another Tarot deck before. I’d also recommend these for scryers to are stepping into the world of Tarot for the first time, or for Tarot people who want to start scrying. They’re a fantastic bridge for that.

Available here, for less than $10 new if you go through a third party seller.