The Major Arcana cards represent the biggest, deepest, most spiritually important aspects of our lives. But it can be hard sometimes to relate their energy and importance to bloodless words on a page.
Music helps with that, though. Music can connect us to the energy of the cards in a way words can’t. So here are my current picks for songs to represent each of the cards. This post covers cards 0-7.
Disagree or have alternate/better suggestions? Hit me up in the comments and let me know! I’d love to see!
*Note: This post is full of embedded videos. FYI.
The Fool: How Far I’ll Go, Moana
I find that the Fool’s Journey as a concept really speaks to me, on both a Tarotic (is that even a word?) and spiritual level. With that being said it should be no surprise that the image of our brave Fool setting off on an adventure with just a knapsack of tools they can’t yet use and maybe a small dog for company resonates strongly, too. Hell, make the knapsack the size of a small car and I LIVE this life, small dog included!
The song that immediately came to mind for this card is How Far I’ll Go from Moana. Moana is called to seek something more than she knows, so she sets off to find it. In a boat she can’t sail. With no water, no provisions, and no plan. But she does it anyway, because settling for the life she knows is scarier than the unknown. Her companion here is a little pig, but it’s close enough to the little dog of the Fool card to count!
The Magician: Razzle Dazzle, Chicago
The first two people the Fool meets on their journey are the Magician and the High Priestess. They exist only in balance to each other, so definitely come as an equal pair. The Magician is the card of the tangible and material, the part of the world we can sense and affect with our conscious minds. On the one hand, the Magician can seem awesomely powerful. He knows what all the tools in the Fool’s knapsack can do, and he knows how to use them well. He’s got charisma and flair to spare, but sometimes it’s hard to see what’s really there and what’s just smoke and illusion.
What better song is there for this than Razzle Dazzle from Chicago? The singer is a highly successful lawyer who delivers on what he promises, but he does it by creating such a spectacle that people focus on his creations instead of the truth. He’s undeniably skilled in the ways of the world but not necessarily ethical, and that flexibility is part of his power.
The High Priestess: Rhiannon, Fleetwood Mac
Where the Magician represents the physical world, the High Priestess represents the hidden depths of our unconscious minds, our individual potential that has yet to meet a catalyst for manifestation. As such she is a confounding, mysterious figure. She doles out our inner truths in riddle and rhyme, and often it’s only later that we understand what she was telling us. If we’re lucky we’ll figure it out before we need it, but that is in no way guaranteed.
I debated a few songs for this one, but eventually settled on Rhiannon by Fleetwood Mac. The lines that clinched it for me were “she’s like a cat in the dark and then she is the darkness; she rules her life like a fine skylark and when the sky is starless”. She’s a mystery and an enigma, everything and nothing all at once, and mystery is where she gets her power.
The Empress: In My Arms, Plumb
As the Fool starts interacting with the world the Empress is usually the first “other” to impinge on their awareness. My relationship with the Empress is surprisingly complex, and I find that her meaning shifts for me quite a bit as I read. At her core, though, she’s the quintessential mother of the Tarot, often depicted in burgeoning fields with a babe at her breast and a shield at her side.
I wanted a song that captured both the love and the fierceness of this card, and I found it in Plumb’s In My Arms. She talks about the joys and pains of motherhood, knowing that she’s doing everything she can to keep her child safe while acknowledging that eventually that won’t be enough. She’ll always be a rock to cling to, though, and a safe space, and if that’s not the essence of this card I don’t know what is.
The Emperor: March of Cambreadth, Alexander James Adams (as Heather Alexander)
If the Empress is the loving mother of the Tarot, the Emperor is certainly the stern father. This is a card of top-down authority, dominance, and law and order. While the Empress is focused on her child first and foremost, the Emperor is focused on the whole of those for whom he is responsible (family, tribe, even nation). Individual happiness within that group is great but not required. He protects his people from anything that could be seen as a threat with swift and decisive action. In return he expects obedience. After all, hasn’t he demonstrated over and over again that father knows best?
I see him as a very black and white thinker, with a streak of ruthlessness that can’t be denied. If he can’t cajole things into going his way he’ll damn straight make them. Which is why this song is such a great fit. It’s a call to battle, tribe against tribe, where “us” vs “them” thinking is paramount and top-down authority must be heeded to prevent disaster.
The Hierophant: Tradition, Fiddler on the Roof
And now we’re at the Hierophant! The teacher, the sage, the guide, he who guards tradition like treasure and upon whom the continuation of society rests. The Hierophant represents both the underlying worldview and the formal education the Fool encounters when they first venture from their family unit into the wider world. He also represents faith and mystery traditions both. Anything that is passed on from generation to generation eventually falls into the Hierophant’s realm.
He too is very much about the whole over the parts, but while the Emperor comes at it from a familial or even tribal place the Hierophant thinks of the soul and society. He’s usually represented as a Pope-like figure for just that reason. The song I chose for this card is more Jewish than Catholic, but I think the meaning shines through clearly enough regardless!
The Lovers: Take Me to Church, Hozier
The Lovers is a surprisingly difficult card to find music for. There are a billion love songs out there (and I’m probably low-balling that number), but the Lovers isn’t just any love affair. The Lovers is where the Fool reaches for that which completes or complements them on a soul level (sometimes a person, sometimes not). It’s one soul finding another, or us finding pieces of ourselves. It’s soulmates and alchemical weddings and keys fitting locks, not giggly crushes and bubblegum. Claiming what we yearn for also requires us to critically assess what we’ve learned from our elders, weighing the values we’ve been taught against the values we’re now mature enough to choose and prioritize for ourselves. That’s a lot to put into one song!
Thinking of the Fool’s Journey, though, brought this card’s song into sharp relief for me. Especially as we’re coming out of the Hierophant! Hozier’s Take Me to Church is a direct rebuke to the traditions and norms that would keep the Fool away from that which fits them best, a rebellion of the purest kind, and as such is the best fit here.
I normally try to choose lyric versions of songs for this, but it would be a crime not to showcase Sergei Polunin’s dance to this song. So here it is, in all it’s amazing glory.
The Chariot: – Lose Yourself, Eminem
The Chariot is the ultimate card for setting your own course and charting your own way. Wishy-washy people who don’t know what they want can never hope to master the Chariot. It takes will, dedication, and tenacity to keep the horses moving together so we can reach our goals. This is the ego of the adult Fool, strong enough to persevere and triumph over the world around them.
There was really only song to choose for this. It even has a driving beat that sounds kind of like hoofbeats! Eminem’s Lose Yourself is about pursuing our goals – whatever they are – with everything we’ve got. When we enter a zone where failure ceases to be an option we’re touching the essence of this card.
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